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AES+FÊÇ»îÔ¾ÔÚµ±ÏÂÐÂýÌåÒÕÊõÁìÓò¾ßÓжÀÌØÊӽǺ͹ÛÄî³ÊÏÖµÄÒÕÊõ¼Ò£¬ËûÃÇ×ÜÊǽ«¶ÔÏÖʵµÄ˼¿¼·ÅÖÃÔÚÀúÊ·ÎÄÂöµÄÉÏÏÂÎĹØϵÖУ¬Í¨¹ýÖ÷¹Û»¯µÄ¡¢³¬ÏÖʵµÄÐéÄâÇé½ÚÓ볬³£¹æµÄ¡¢³¤»­·ùµÄÊÓ¾õ·½Ê½ÑÔ˵³öÀ´£¬ÓÉ´ËÓëÏÖʵÀ­¿ª¾àÀ룬ÐγÉÊèÀëÓÚÈÕ³£µÄ»Äµ®¸Ð¡£ËûÃÇÖ÷¹Û»¯µÄ¾ç³¡¾°¹ÛËùÒª´«´ïµÄ²»½öÊÇÏ·¾ç»¯µÄ»Äµ®ÓÄĬ£¬»¹°üº¬×ÅÒÕÊõ¼ÒÃô¸ÐÇÒÇ¿ÁÒµÄÉç»á˼¿¼¡£

AES+F is an individual case with unique perspectives and concepts, and it is active in the field of new media art. The artists always put thoughts towards the problems into reality in the context of history, and then express the thoughts by subjective, surreal, and unconventional long-frame visual methods with virtual plots. Thus, the sense of absurdity alienated from daily life is formed. What this sense expresses is more than the dramatic humor, and thoughts towards society are also included in their subjective theater landscape .

¡¶ÉñÊ¥µÄÔ¢ÑÔ¡·µÄÁé¸ÐÀ´×ÔÓÚÎÄÒÕ¸´ÐËʱÆÚµÄÒÕÊõ¼ÒÇÇ·²Äá?±´ÀûÄᣨGiovanni Bellini£©µÄͬÃû»­×÷£¬Ãè»æÁËÒ»¸öÐüÖÃÔÚʱ¼äÖеij¬ÏÖʵÊÀ½ç£¬ÆäÖеÄÂÿͱ»À§ÔÚÒ»¸öδÀ´»ú³¡ÀËûÃDz»Öª²»¾õµØ½øÈëµ½±Ë´ËµÄÃξ³¡£Õâ¼þ×÷Æ·¼ÈÊǶÔÃÀÊõÊ·¾­µäµÄÖ¾´ÓëÒýÓã¬ÓÖÁ¢×ãÓÚ½ñÌìÈ«Çò»¯µÄÎÄ»¯ÏÖʵÓï¾³£¬½èÓûú³¡ÕâÒ»³äÂúÎÄ»¯»ã¼¯½»ÈÚ¡¢ÎïÁ÷תÔØƵ·±µÄÓò³¡£¬¼¯ºÏʽµØ³ÊÏÖËûÃÇ×÷ΪÒÕÊõ¼Ò¸öÌå¶ÔÏÖʵµÄ̬¶È¡£

Allegoria Sacra is inspired by the mysterious painting of the same name by the Renaissance artist Giovanni Bellini. It depicts a surreal world suspended in time, in which travelers are trapped in a futuristic airport, and they unconsciously enter each other's dreams. This work is not only a tribute and reference to the classics of art history, but also exists in the context of today's globalized cultural reality. Through the airport, a landscape full of cultural convergence and frequent goods flow, the artists collectively present their individual thoughts towards reality.

¡¶µßµ¹ÊÀ½ç¡·Õⲿʷʫ°ãµÄ¾ç×÷£¬Æä´´×÷À´Ô´µãÊǶàÖصÄ£¬×÷Æ·ÒÔÎ÷·½ÖÐÊÀ¼Í°æ»­Îª¹ÊÊÂÀ¶±¾£¬ÓÖÈÚºÏÁËÎÄÒÕ¸´ÐË¡¢°ÍÂå¿ËÒÔ¼°Ð¹ŵäÖ÷ÒåµÈÒÕÊõ±íÏÖÊÖ·¨¡£×÷Æ·ÖеÄÈËÎï¹ØϵÓëÇé¾°½á¹¹ÊÇÒÕÊõ¼Ò¾«ÐÄ×éÖ¯¡¢²ß»®µÄ£¬ÆäÖÐËùÉæ¼°µÄÒÕÊõ¼Ò¹Ø×¢µÄÎÊÌâÒ²ÊǶ෽ÃæµÄ£ºÈ«ÇòÓëµØÓòÎÄ»¯µÄ½»ÈÚÅöײ¡¢´óÖÚÎÄ»¯¡¢Éú̬ÎÊÌâµÈÉç»á»°Ì⡣ΪÁË´ø¶¯¹ÛÕß½øÈë×÷Æ·£¬×ÔÎÒ·´Ë¼£¬ÒÕÊõ¼Ò½«ÏÖʵÖеÄÉí·Ý½ÇÉ«ÔÚ×÷Æ·ÖнøÐл¥»»£¬Ô­±¾ÀíËùµ±È»µÄÏÖʵÔÚÖû»ºóµÄÊӻÿռäÖб»Ò컯£¬ÓÉ´ËÒý·¢²¢²úÉú¹²Ãù¡£

Inverso Mundus is like an epic with diverse sources in creation. The story of the work is based on Western medieval prints, and also incorporates art expression techniques in Renaissance, Baroque, and Neoclassicism. The relationship between the characters and the structure are carefully organized and planned by the artist, and the social issues to be expressed are also multifaceted: the integration and collision of global and regional cultures, popular culture, environmentalism, ecology and others. In order to bring the viewers into the work for self-reflection, the artist exchanges identities in the work. The reality that was taken for granted is alienated in the visual illusion space after the replacement. This generates thoughts..

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Academic Advisor: Jiao Xingtao

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Project Leaders: He Guiyan Zheng Lin

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Curators£ºGuo Weiwei Yang Biao

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Opening: Sept.24th, 15:00, 2020

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Duration: Sept.24th. - Oct.22th, 2020

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Venue: Hall 7, Art museum of Sichuan Fine Arts Institute

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Organizer: Art museum of Sichuan Fine Arts Institute

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Supporter: Tang Contemporary Art ( Beijing )

°ÄÃŲƸ»Ò»ÂëÃÀÊõ¹ÝÖÂÁ¦ÓÚÒÔ¹ú¼Ê»¯µÄÊÓÒ°¾Û½¹Ñ§ÊõÇ°ÑØ£¬¹Ø×¢µ±´úÒÕÊõÏÖ³¡£¬¼Ì¾Ù°ì¡°±´¶ûÄÉ·¸¥¿×£ºÕæʵÓëÐé¹¹¡±ºó£¬ÓÚ2020Äê9ÔÂ24ÈÕ¡ÖØÍƳöAES+FÊ®ÄêÀ´ÔÚÖйú¾Ù°ìµÄ´óÐ͸öÕ¹¡£Õ¹ÀÀ³ÊÏÖÁ½×éÓÉ´óÐÍÓ°Ïñ×°ÖúÍÊýÂëÆ´Ìù×é³ÉµÄÒÕÊõÏîÄ¿¡ª¡ª¡¶ÉñÊ¥µÄÔ¢ÑÔ¡·£¨Allegoria Sacra£¬2011-2013£©ºÍ¡¶µßµ¹ÊÀ½ç¡·£¨Inverso Mundus£¬2015-2017£©£¬Á½×é´óÐÍ×÷Ʒͨ¹ý»Ø¹ËÐÔµÄ×ÔÎÒ·´Ë¼£¬´ÓÐÄÀí·ÖÎöµÄ½Ç¶È·Ö±ðÆÊÎöÁ˵±ÏµÄÈËÀà״̬£¬×÷Æ·½ÔÔøÓÚÍþÄá˹˫ÄêÕ¹ÉÏÕ¹³ö£¬²¢»ñµÃ¹ú¼ÊÖî¶à½±Ïî¡£

AES+FÊÇÒ»Ö§ÓÉËÄλ¶íÂÞ˹ÒÕÊõ¼Ò×é³ÉµÄÒÕÊõ×éºÏ£¬ËûÃǵÄʵ¼ù¿çÔ½´«Í³Ã½½éºÍÐÂÐ˼¼Êõ£¬×÷Æ·ÒԸ߶ȸÅÄµÄÐÞ´ÇÊÖ·¨ÎªÌØÕ÷£¬Í¸¹ýÀúÊ·¾­µäµÄÀâ¾µÕÛÉä³öµ±´úÊÀ½çµÄýÌåÁ÷£¬ËûÃǽ«×Ô¼º×î¾ß´ú±íÐÔµÄʵ¼ù·½·¨³ÆΪ¡°Éç»áÐÄÀí·ÖÎö¡±£¬²¢Í¨¹ýËüÀ´½ÒʾºóÈ«Çò»¯Ê±´úµÄȱÏݺͳåÍ»¡£

±¾´ÎÕ¹ÀÀ½«AES+FµÄ×÷Æ·ÒýÈëÖØÇ죬ÔÚ°ÄÃŲƸ»Ò»ÂëÃÀÊõ¹ÝÕ¹³ö£¬ÎÒÃÇÏ£ÍûÄܹ»Í¨¹ýÕâһϵÁжàý½é¡¢¿çÎÄ»¯µÄÒÕÊõÐÎ̬Öð½¥ÑÓչѧԺʦÉúÒÔ¼°ÖØÇì¹ÛÖÚµÄÊÓ¾õÊÓÒ°£¬ÎªÒÕÊõÓëÎÄ»¯µÄ¶Ô»°Ìṩ¹ú¼Ê»¯µÄ³¡ÓòÓë¸ü¶àµÄ¿ÉÄÜÐÔ¡£

The Art Museum of Sichuan Fine Arts Institute is committed to focusing on academic frontier with global vision and on the contemporary art scenes with an international perspective.After holding "Bernard Forcong: Truth and Fictions", The Art Museum will launch AES+F's large-scale solo exhibition held in China in the past ten years on September 24, 2020. The exhibition has two art projects composed of large-scale video installations and digital collages including "Allegoria" (Allegoria). Sacra, 2011-2013) and "Inverso Mundus" (Inverso Mundus, 2015-2017). They have analyzed the human state in the early and mid-2010s from the perspective of psychological analysis through retrospective self-reflection. Both of them have been exhibited at the Venice Biennale and won many international awards.

AES+F is an art group composed of four Russian artists. Their practice are not limited to traditional media and emerging technologies; their works are characterized by highly conceptualized rhetorical techniques; they have reflected the media stream of the contemporary world through the prism of historical classics; they call their most representative practical method "social psychoanalysis" to reveal the defects and conflicts of the post-globalization era.

This exhibition AES+F's works are introduced to Chongqing and exhibited in the Art Museum of Sichuan Fine Arts Institute. We hope to gradually extend the visual horizon of teachers, students and audience through this series of multi-media and cross-cultural art forms, so as to provide an international field and more possibilities for the dialogue between art and culture.

ABOUT AES+F

1987Ä꣬Ëþç°°²ÄÈ·ÑÅÀ­ÂêË÷ÍÞ£¨Tatiana Arzamasova£©¡¢Áзò·°£·ò×óάÆ棨Lev Evzovich£©ºÍÒ¶·ò¸ùÄá·Ë¹·òÑÇ˹»ù£¨Evgeny Svyatsky£©´´Á¢ÁËAESÒÕÊõ¼ÒС×飻1995Ä꣬¸¥À­»ùÃ׶û··ðÀïµÂ¿Æ˹£¨Vladimir Fridkes£©Õýʽ¼ÓÈ룬С×éËæºó¸üÃûΪAES+F¡£AES+FµÄ×÷Æ·¿çÔ½´«Í³Ã½²Ä¡¢ÉãÓ°¡¢Ó°ÏñºÍÊýÂë¼¼Êõ¡£

First formed as AES Group in 1987 by Arzamasova, Evzovich, and Svyatsky, the collective became AES+F when Fridkes joined in 1995. AES+F work at the intersection of traditional media, photography, video and digital technologies.

ÔÚ2007ÄêÍþÄá˹˫ÄêÕ¹¶íÂÞ˹¹ú¼Ò¹ÝÕ¹ÀÀÖУ¬AES+Fƾ½èËûÃǵĵÚÒ»¼þ¶àƵµÀÊÓƵ×÷Æ·¡¶×îºóµÄ±©¶¯¡·£¨Last Riot£¬2007£©»ñµÃÁËÊÀ½çµÄÈϿɺͺÃÆÀ¡£ËæºóµÄÁ½¼þ×÷Æ·¡¶ÌØÁ¢ÂíÇǵÄÊ¢Ñç¡·£¨The Feast of Trimalchio£¬2009£©ºÍ¡¶ÉñÊ¥µÄÔ¢ÑÔ¡·£¨2011£©Ò²ÔøÔÚÍþÄá˹ºÍĪ˹¿ÆË«ÄêÕ¹µÈÕ¹»áÖÐÕ¹³ö¡£ËûÃǵĶàƵӰÏñ×÷Æ·¡¶µßµ¹ÊÀ½ç¡·£¨2015£©Ôø²ÎÕ¹µÚ56½ìÍþÄá˹˫ÄêÕ¹¡¢µÚ4½ì¿ÆÇÕ-ļªÀï˹˫ÄêÕ¹ºÍµÚÒ»½ìÂü¹ÈË«ÄêÕ¹µÈ¡£

AES+F achieved worldwide recognition and acclaim in the Russian Pavilion at the 52nd Biennale di Venezia in 2007 with Last Riot (2007), their first multi-channel video installation. The following two projects, The Feast of Trimalchio (2009), and Allegoria Sacra (2011), were also shown at the biennales of Venice, Moscow, and others. AES+F presented their newest multi-channel video project, Inverso Mundus (2015), at the 56th Biennale di Venezia, 4th Kochi-Muziris Biennial, 1st Bangkok Biennial, and others.

AES+FÔøÔÚÊÀ½ç¸÷µØ¸÷´ó²©Îï¹Ý¡¢Õ¹ÀÀ¿Õ¼äºÍÉÌÒµ»­ÀȾٰìÁ˳¬¹ý100³¡µÄ¸öÕ¹£¬ÆäÖаüÀ¨£º¿¨Ë¹Â³¶ûýÌåÒÕÊõÖÐÐÄ¡¢ºÕ¶ûÐÁ»ùÒÕÊõ²©Îï¹Ý¡¢Ë¹µÂ¸ç¶ûĦÏÖ´úÒÕÊõ²©Îï¹Ý¡¢Ì©ÌØÒÕÊõ²©Îï¹Ý£¨Â׶أ©¡¢ÂÞÂíMAXXI²©Îï¹ÝºÍÂÞÂíµ±´úÒÕÊõ²©Îï¹Ý¡¢°ÍÀèÅîƤ¶ÅÒÕÊõÖÐÐÄ¡¢ÌáÉ­-²©ÄÚÃ×Èø¹ú¼Ò²©Îï¹Ý£¨ÂíµÂÀ¡¢½ñÈÕÃÀÊõ¹Ý£¨±±¾©£©¡¢É­ÃÀÊõ¹Ý£¨¶«¾©£©¡¢ÈýÐÇÃÀÊõ¹Ý£¨Ê׶û£©¡¢¶íÂÞ˹¹ú¼Ò²©Îï¹Ý£¨Ê¥±ËµÃ±¤£©¡¢³µ¿âµ±´úÒÕÊõ²©Îï¹Ý£¨ÄªË¹¿Æ£©¡¢°Ä´óÀûÑǹúÁ¢ÃÀÊõ¹Ý£¨¿°ÅàÀ­£©¡¢·¨°¬ÄÉÒÕÊõÖÐÐÄ£¨²¼ÒËŵ˹°¬Àû˹£©µÈ¡£AES+FµÄ×÷Æ·ÔÚÈ«ÊÀ½ç¸÷µØÐí¶àÖØÒªµÄÒÕÊõ½ÚºÍµ±´úÒÕÊõË«ÄêÕ¹ÉÏÕ¹³ö£¬°üÀ¨ÍþÄá˹˫ÄêÕ¹¡¢ÄªË¹¿ÆË«ÄêÕ¹¡¢°¢µÂÀ³µÂ¡¢¹âÖÝ¡¢¹þÍßÄÇ¡¢ºÕ¶ûÐÁ»ù¡¢ÒÁ˹̹²¼¶û¡¢»ù¸¨¡¢¿ÆÇÕ-ļªÀï˹¡¢Àï¶û¡¢Àï°º¡¢Ä«¶û±¾¡¢Ê¥ÄªÀï´Ä¡¢Ï¤Äᡢ̨±±¡¢Î¸绪µÈµØµÄµ±´úÒÕÊõ½ÚºÍË«ÄêÕ¹£¬ËûÃǵÄ×÷Æ·Ò²³öÏÖÔÚÖî¶àרעÓÚÐÂýÌåµÄÒÕÊõ»î¶¯ÖС£´ËÍâËûÃÇ»¹Îª¾ç³¡ºÍ¸è¾ç½øÐÐÎę̀Éè¼Æ¡£

The group had more than 100 solo exhibitions at museums, exhibition spaces, and commercial galleries worldwide. AES+F works have been shown in such venues as the ZKM (Karlsruhe), HAM (Helsinki), Moderna Museet (Stockholm), Tate Britain (London), MAXXI and MACRO Future (Rome), Centre Pompidou (Paris), Museo Thyssen-Bornemisza (Madrid), Mori Art Museum (Tokyo), Leeum Samsung Museum of Art (Seoul), The State Russian Museum (St. Petersburg), Garage Museum of Contemporary Art (Moscow), National Gallery of Australia (Canberra), Faena Art Center (Buenos Aires), and many others.

AES+FµÄ×÷Æ·±»ÊÕ²ØÔÚÖî¶àÖØÒªµÄµ±´úÒÕÊõÊÕ²ØϵÁÐÖУ¬ÆäÖаüÀ¨£º¹úÁ¢ÌØÁм¾ÑÇ¿Æ·ò»­ÀÈ¡¢ÄªË¹¿ÆÏÖ´úÒÕÊõ²©Îï¹Ý¡¢ÄªË¹¿Æ¶àýÌåÒÕÊõ²©Îï¹Ý¡¢ÄªË¹¿Æ¹úÁ¢µ±´úÒÕÊõÖÐÐÄ¡¢¶íÂÞ˹¹úÁ¢²©Îï¹Ý£¨Ê¥±ËµÃ±¤£©¡¢Ë¹µÃ¸ç¶ûĦÏÖ´úÒÕÊõ²©Îï¹Ý¡¢¿ËÀ­¿Æ·òµ±´úÒÕÊõ²©Îï¹Ý¡¢ÎÚάÑÅÊ¿¶¼³Ç±¤µ±´úÒÕÊõÖÐÐÄ£¨»ªÉ³£©¡¢¿¨Ë¹Â³¶ûýÌåÒÕÊõÖÐÐÄ¡¢ÄÏ°Ä´óÀûÑÇÃÀÊõ¹Ý£¨°¢µÂÀ³µÂ£©¡¢Ð¾ÉÒÕÊõ²©Îï¹Ý£¨Ëþ˹ÂíÄáÑÇ£©¡¢¸ê×ÈÏÖ´úÒÕÊõÊղعݣ¨Ä½ÄáºÚ£©¡¢·¶º£Â×ÌØÒÕÊõÊղعݣ¨²¼Â³Èû¶û£©¡¢Ìï¿ÚÒÕÊõÊղعݣ¨¶«¾©£©¡¢ÐÝ˹¶ÙÃÀÊõ¹Ý¡¢ÍÐÂí˹»ù½ð»á£¨Ö¥¼Ó¸ç£©¡¢ÅµÂêËÀ»ù½ð»á£¨ÂÞÂí£©¡¢Æ¤Åµ·ÅÁ˹¿¨ÀûÃÀÊõ¹Ý£¨²¨ÀûÄáÑÇŵº£±õ£©¡¢CA2MÏÖ´úÒÕÊõ²©Îï¹Ý£¨ÂíµÂÀ¡¢Î¬Ò²Äɲ©Îï¹Ý¡¢±±Å²ÍþÒÕÊõ²©Îï¹Ý£¨ÌØÂÞķɪ£©¡¢½Ç¶·³¡ÒÕÊõ²©Îï¹Ý£¨Í¼Â¬×È£©¡¢°×ÄÏ×¼ÒÕÊõÖÐÐÄ£¨ÁúÈÊÊУ©¡¢Å·ÖÞÉãÓ°ÒÕÊõÖÐÐÄ¡¢ÅîƤ¶ÅÒÕÊõÖÐÐÄ¡¢Â·Ò×-ÍþµÇ»ù½ð»á£¨°ÍÀ裩µÈ¡£

Their works appear in some of the world's principal collections of contemporary art, such as the State Tretyakov Gallery, Moscow Museum of Modern Art, Multimedia Art Museum, National Center for Contemporary Art (Moscow), State Russian Museum (St. Petersburg), Moderna Museet (Stockholm), MOCAK (Krakow), CCA Ujazdowski Castle (Warsaw), ZKM (Karlsruhe), Art Gallery of South Australia (Adelaide), MONA (Hobart), Sammlung Goetz (Munich), Vanhaerents Art Collection (Brussels), Taguchi Art Collection (Tokyo), Museum of Fine Arts (Houston), Thoma Foundation (Chicago), Nomas Foundation (Rome), Pino Pascali Museum (Polignano-a-Mare), CA2M (Madrid), Wien Museum (Vienna), Art Museum of Northern Norway (Tromso), Les Abattoirs (Toulouse), Nam June Paik Art Center (Yongin), European Center of Photography, Centre Pompidou, Louis Vuitton Foundation (Paris), and many others.

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